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The way the design of the early church buildings in the Middle Ages compared to places of worship in American cities and towns is that they are very different.

During the Middle Ages, churches were typically designed to be cruciform in shape, with a long central nave and transepts that formed the shape of a cross. These churches were often adorned with ornate decorations, including intricate stone carvings and stained glass windows.

In contrast, many modern churches in America are designed to be more functional and practical. They often feature a simpler design with a rectangular or square shape.

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Explanation:

Artists often develop a point of view through their personal experiences, values, and beliefs. This point of view influences their choice of subject matter, style, medium, and technique. They may draw inspiration from their surroundings, cultural heritage, socio-political issues, and personal relationships.

To represent their point of view, artists may use various techniques such as symbolism, metaphor, abstraction, or realism. They may also experiment with different media such as painting, sculpture, installation, photography, video, or performance art. Through the use of these techniques and media, artists are able to communicate their message and evoke emotions in their audience.

Furthermore, as artists continue to create and develop their practice, they may refine their point of view and incorporate new perspectives and ideas. This process of evolution and growth is an essential part of an artist's practice and allows them to continually engage with and contribute to the world around them.

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Early Middle Ages churches were quite distinct in their architectural design from modern churches found in American cities and towns.

The architecture of churches in the past was characterized by tall, pointed arches and soaring vaulted ceilings, which created a sense of grandeur and majesty.

Modern churches in America often incorporate technology into their design, with sound systems and video screens used to enhance the worship experience. They may also feature amenities such as parking lots and coffee shops, which were not typically found in medieval churches.

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Answer:

Cubism was one of the most influential visual art styles of the early twentieth century. It was created by Pablo Picasso (Spanish, 1881–1973) and Georges Braque (French, 1882–1963) in Paris between 1907 and

Answer: Even if a particular Quinceanera photographer comes highly recommended, it’s important that you meet with them (or at LEAST speak with them on the phone!) before hiring them to capture your big day. Ask the photographer to arrive early enough to take pictures of your dress, your shoes, and your jewelry.

Explanation: To help your photographer know which photography styles you like, try sending 10-20 samples of cool photos to your photography professional a few weeks before your party, or create a inspirational Pinterest board and share it with your photographer. Decide on your Guest List. Save the Date & Send Out Invites ans be sure of the dresses you want.

Metallica's "One" is a prime example of heavy metal that tackles a serious subject, as it is based on the novel and movie "Johnny Got His Gun".

Because it is based on the book and film "Johnny Got His Gun," which is about a soldier who is seriously injured in battle and loses all of his limbs, senses, and communication skills, Metallica's "One" is a shining example of heavy metal that addresses a serious issue. The music is gloomy, moody, and at times slow, with piercing guitar solos and a driving rhythm that perfectly conveys the protagonist's hopelessness and loneliness. Classic heavy metal bands like Black Sabbath, Judas Priest, and Iron Maiden, as well as thrash metal groups like Slayer and Megadeth, are all influences on the song. Several heavy metal bands that came after them, such as Pantera, Slipknot, and Lamb of God, have been influenced by Metallica.

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Answer:

There are 3 teaspoons in a tablespoon, and 48 ounces in 6 cups (48 divided by 8). Therefore, there are 96 tablespoons in 48 ounces (6 cups x 16 tablespoons per cup). To find the cost of 1 tablespoon, we can divide the cost of 48 ounces by 96 tablespoons:

$3.47 / 96 = $0.036 or approximately 3.6 cents per tablespoon of vegetable oil.

There are 16 ounces in 1 cup, so 32 ounces is equal to 2 cups. To find the cost of 2 cups of chicken broth, we can set up a proportion:

$2.52 / 32 ounces = X / 2 cups

X = ($2.52 / 32 ounces) x (2 cups) = $0.1575 per cup x 2 cups = $0.315 or approximately 32 cents for 2 cups of broth.

There are 16 ounces in 1 pound, so 3/4 of a pound is equal to 12 ounces (0.75 x 16). We know that 2 cups of diced chicken weighs 12 ounces, so the cost of the chicken can be calculated using the cost per pound:

$3.49 per pound / 16 ounces per pound = $0.218 per ounce x 12 ounces = $2.62 for the chicken.

To find the total cost to prepare the recipe, we need to add up the cost of all the ingredients used in the recipe. For example, if the recipe calls for 1 tablespoon of vegetable oil, 2 cups of chicken broth, and 3/4 pound of chicken, the total cost would be:

1 tablespoon of vegetable oil x $0.036 per tablespoon = $0.036

2 cups of chicken broth x $0.1575 per cup = $0.315

3/4 pound of chicken x $3.49 per pound = $2.62

Total cost = $0.036 + $0.315 + $2.62 = $2.97

To find the cost per serving, we need to know the total number of servings the recipe makes. Let's say the recipe makes 4 servings. To find the cost per serving, we can divide the total cost by the number of servings:

$2.97 / 4 servings = $0.7425 or approximately 74 cents per serving.

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Icons are simplified and stylized visual symbols used to represent complex ideas, objects, or actions.

Icons  serve as a way to communicate a message quickly and easily, without the need for lengthy explanations or text. Icons can be used in various contexts, such as digital interfaces, signage, advertising, and branding.

To be effective, icons must be visually distinct, easily recognizable, and meaningful to the intended audience. They should be designed using simple shapes, colors, and lines that convey the essence of the idea they represent. Icons can also be combined with text to create a stronger visual language, making it easier for people to understand and remember the message.

Overall, icons are a powerful tool for communication and can be used to convey complex ideas in a simple, effective, and memorable way.

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Answer:

Explanation:

The Maison Carrée and the Parthenon are two important ancient architectural structures, but they come from different cultures and periods. However, there are some similarities between the two buildings:

Classical Style: Both the Maison Carrée and the Parthenon are examples of classical architecture, which emphasizes balance, symmetry, and harmony in design.

Pediment and Entablature: Both buildings feature a triangular pediment and an entablature supported by columns. The entablature is divided into three horizontal sections, with the lowest being the architrave, the middle being the frieze, and the top being the cornice.

Use of Columns: Both buildings use columns as a prominent feature of their design. The Maison Carrée has six Corinthian columns on the front and back, and eleven on the sides, while the Parthenon has eight Ionic columns on the front and back, and seventeen on the sides.

Temples: Both the Maison Carrée and the Parthenon are temple structures. The Maison Carrée is a Roman temple dedicated to the sons of Augustus, while the Parthenon is a Greek temple dedicated to the goddess Athena.

Civic Importance: Both buildings were constructed to serve important civic functions in their respective societies. The Maison Carrée was built as a symbol of Rome's power and civilization, while the Parthenon was built to honour Athena and to demonstrate the wealth and power of Athens.

Overall, the Maison Carrée and the Parthenon share many similarities in terms of their architectural features, their use of columns, and their importance in their respective cultures.

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British metal and L.A. metal, also known as glam metal or hair metal, shared some similarities but had different approaches.

British metal bands, such as Iron Maiden and Judas Priest, were known for their heavy riffs, complex guitar solos, and operatic vocals. L.A. metal bands, such as Motley Crue and Poison, emphasized catchy hooks, flashy stage shows, and a more commercial sound.

However, both styles had a focus on theatrics and image, with bands often sporting leather, studs, and makeup. Examples of British metal and L.A. metal respectively would be Iron Maiden's "The Number of the Beast" and Motley Crue's "Girls, Girls, Girls".

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