Please paraphrase this

More than 8,000 slices of Mother's Pride bread coated in paraffin wax are laid out into a patterned grid formation to resemble the weather-beaten surfaces of brickwork. Into the centre of the grid are two ghostly, body shaped indentations laid out flat like coffins in the ground, each forming one half of Gormley's figure.

Displayed during a two man show at London's Whitechapel Gallery, this work is a much celebrated, early example of Gormley's developing style as he explored the parameters of his own body, following on from his 1970s Sleeping Place sculptures. To create the work, he ate through enough slices of bread to leave the recessed areas behind, carefully calculating with mathematical precision the exact proportions of his body. "It was like eating to a (musical) score," he recalled. To prevent the complete decay of the remaining bread, Gormley deconstructed the stack and dipped the slices of bread into paraffin wax, preserving them in their gently mouldering state.

Commenting on the work's underlying meaning, Gormley wrote, "When making Bed I had this revelation that between what we eat and how we shelter ourselves was our condition and it became obvious that I had to address this in the most direct way possible and use my own experience as a template." The act of ingesting bread turned the simple, everyday ritual of eating, an act integral to human survival, into a work of art, pre-empting the Young British Artists of the 1990s, who, amongst other things, sought ways of humanising the gallery space by bringing in aspects of their own lives. Former director of The Whitechapel and later Tate, Nicholas Serota spoke of the work's potent message, which it still retains, pointing out, "The piece is a relic of an action - Antony did eat that bread - and today people respond to it like a relic. It remains an evocative and powerful image." Parallels can also be drawn between the consumption of the bread and the taking of Catholic sacrament, a significant ritual of Gormley's childhood. This imbues the process of the creation of the work and, therefore, the finished piece with a sense of religious purpose and this is also reflected in the traditional death-like pose of the absent figure.

Answer:

Into the centre of the grid are two ghostly, body shaped indentations laid out flat like coffins in the ground, each forming one half of Gormley's figure. Displayed during a two man show at London's Whitechapel Gallery, this work is a much celebrated, early example of Gormley's developing style as he explored the parameters of his own body, following on from his 1970s Sleeping Place sculptures. To create the work, he ate through enough slices of bread to leave the recessed areas behind, carefully calculating with mathematical precision the exact proportions of his body. To prevent the complete decay of the remaining bread, Gormley deconstructed the stack and dipped the slices of bread into paraffin wax, preserving them in their gently mouldering state.

« It remains an evocative and powerful image.» Parallels can also be drawn between the consumption of the bread and the taking of Catholic sacrament, a significant ritual of Gormley's childhood.

Explanation:

analyze this painting piece by piece. 30pts.

WHATS THE SONG
I wanna get in th Georgia dome on the fifty yard line
When the dirty birds kick fo' three
And if you like it in the club we can do it
In the DJ booth or in the back of the VIP
Whip- cream with cherries and strawberries on top
Lick it don't stop
With the dow lock
While the boat rock we go buy
Robots or they got to wait 'til the show stop
Or how 'bout on the beach with black sand
Lick up your thighs and call me Pac Man
Table top or just give me a lap dance
The rock to the park to the point to the flat lands
That man named Ludacris (woo) in the public bathroom
Or in the back of a classroom
However you want it lover lover, gonna tap that a** some
See I cast 'em and I pass 'em get a tight grip and I grasp 'em
I flash 'em and out last 'em
And if it ain't good, then I trash 'em, while you stash 'em
I'll let 'em free
And tell me what they fantasy
like up on the roof, roof, tell your boyfriend not to be mad at me

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Read the following scenario:
A feature film is in production on a studio set in Hollywood, CA. The lead actors are scheduled to film in front of a green screen; however, there are technical issues. The color key is not formatting correctly, and the visual artists cannot set the background accordingly. The artists are unsure if it is a lighting or computer issue. Which of the following would most likely occur in this situation?


The production director would consult with the team director who would call an outside IT group to come and correct the software issues.

The team director would consult with the production director and new computer software would be brought in from an outside source.

The visual artists would consult with the production director who would collaborate with the entire computer effects team to make sure the software was working correctly.

The visual artists would consult with the team director who would make sure the light sets are accurate before working with the IT department to resolve any technical issues.

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A airbrushing
C. cracking
B. bubble
D. digital printing

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urt-EL1086 A
The Nature of Art
Practice Active

Answer the following question in 3-4 complete sentences.
Explain the difference between proportion and balance.

Can you think of any ways that math or science could be useful in digital art?

Create a fictitious product. Be creative — it can be anything you want, including clothing, a beverage, food, a gadget, a video game, or whatever.

Using the ten advertising strategies that are discussed in this chapter, think of a way you could use each strategy in a commercial to sell your product. Explain in detail how you would go about using each strategy to sell the product.

New Technology Leads to Bigger Cities

In the 1800s, the United States was still a very young nation, trying to solidify its identity. The Industrial Revolution began in Great Britain, a fast development of society following the introduction of machines. The United States was slower than Great Britain to fully embrace the changes. Yet key technological developments caused a rapid growth in American urban areas.

Better farming methods and tools in the 1800s increased food production. Americans were able to grow enough food for their families as well as to sell. The abundance caused food prices to fall.

The expansion of cotton and the growth of textile factories in northern states helped produce the first wave of American industry. More people turned to work in northern factories as a way to support their families. Thousands of immigrants to the United States also settled in or near port cities, looking for work. Even today, the need for work is a common reason people move to urban areas.

As a result, cities grew in numbers of people and physical space. As more people and businesses moved in, they needed buildings for living and working. They needed ways to move around the city. We call this process urbanization.

In 1820, the United States had only a few cities of 10,000 residents or more. About seven percent of U.S. residents lived in urban areas. The number of cities with more than 10,000 people grew quickly over the next 40 years, especially in the Northeast and Midwest. By 1860, about 20 percent lived in cities. Philadelphia and New York City were the most populated cities in 1860 and would soon reach one million residents.

The urbanization of the United States quickened due to technology improvements. Without innovations in food production, the factories could not have grown so quickly. The trend quickened after 1860 and continued throughout the 21st century as well. By 2007, more Americans lived in or near cities than they did in rural areas.

Which details are used to support the main fact in the fifth paragraph?

Mentions of Great Britain
Reasons why people move
Explanation of urbanization
Data about population changes

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Colors that don't pop out, but blend in and can be incorporated with warm or cool colors are:
Neutral
Primary
Intermediate
Secondary

I know that a whole lot of y'all are gonna say that this is inappropriate but guess the song:

If we never learn, we been here before
Why are we always stuck and running from
The bullets?
The bullets.
We never learn, we been here before
Why are we always stuck and running from
The bullets?
The bullets.


Plz say the song and the artist.

First one to answer will be marked Brainliest

Questlon 3 of 10 Henry Matisse was a French Expressionist artist who was one of the leaders of the: O A. Fauves . O B. Futurist movement. 0 C. Post-Impressionists O D. Neoclassical revival.​

HELP ASAAPPP
Which of these popular styles were originally written mainly for piano?
(select all that apply)

A. ragtime
B. boogie woogie
C.fusion
D. scat

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Describe two elements of the above painting that the artist included to create perspective?

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A.GREAT!
B.It's ok.....
C. In the middle
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How did the topics of the Beatles songs influence society? *
(1 point)

Some of their songs were meant to incite violence.
Some of their songs are associated with starting wars.

Some of their songs are associated with promoting certain groups.

Some of their songs are associated with spreading world peace.